Sunday, 16 July 2017

How to Create Drama in Fiction


Drama is a vital ingredient for all good stories, it’s those tense, nail biting moments that eventually build to a crescendo, or they make us sit on the edge of our seats in anticipation. It’s what keeps us turning page after page.
But how do writers create drama? How do they make it work within the narrative for it to be effective?
All drama derives from circumstance – in other words, we can generally create drama in any given situation, depending upon certain factors, and most frequently than not, drama occurs in tense scenes or scenes of conflict, and the catalyst almost always tends to be lots of emotion.
There are lots of situations in any story that can cause drama – bitter sibling rivalry, a burning hatred of being wronged, the need for revenge, being misunderstood, or a desire to be accepted and so on. The list of dramatic situations is endless, but the one thing that drives all drama is conflict and emotion.
Conflict – disagreements, fights, struggles and friction etc – drives any story.  It could be external conflict, internal conflict or a main central conflict. Whenever we create different conflicts, we also create different dramatic situations. This is how we make good drama. 
Think about the best soaps on TV – they rely on drama; they thrive on conflict and emotion. Characters often clash, disagree or fight. Then there are the more conniving or devious characters that conspire, backstab and deceive. The main characters generally end up in some usual or difficult situations and we wonder just how they will escape such predicaments.
Behind these conflicting situations there is always an underlying emotion – jealousy, fear, hate, desire, deceit, betrayal etc. Emotions bring your characters into sharp focus; they are vulnerabilities that the reader will understand. When you unveil such vulnerabilities within your characters and push them into near impossible positions – what will happen? How will they manage to get out of it? Because of these ‘what if’ scenarios, and the apprehension of not knowing the outcome, you create drama and tension.
Writers also love to mislead their main characters. They like to force them to make bad decisions or make terrible mistakes, usually with awful consequences. This creates drama, of course, not only because of the heightened emotion that is created, but also because the reader knows what the right decision should have been. The burden and emotion of wrong decisions is something the reader will recognise and empathise with, so this creates a certain amount of tension, emotion and therefore the end result is a dramatic situation or scenario. The reader is left wondering just how the character will get out of such a situation - they will keep turning the page to find out. You’ll see this used very effectively in lots of TV soaps, TV dramas and movies.
The other thing writers do is create all manner of complications. That’s because the protagonist’s journey should never be an easy one, otherwise there would be hardly any drama to keep a reader awake. Instead we make our main character’s suffer, we complicate things, we escalate danger, we heighten conflicts, we raise the stakes and we push them to the brink. We force them to make bad choices and decisions.
How do you create drama? At key points in the story, mix conflict and emotions, mislead your characters, have them make bad decisions and always introduce complications. All these elements will produce dramatic situations and scenarios to keep your reader enthralled.
Next week: Story archetypes

Saturday, 8 July 2017

How to Make Your Writing Stand Out – Part 2



Part 1 looked at some of the ways writers can make their work stand out, especially if they want to be noticed by agents and publishers. These are things like description, voice and style, story and sentence structure, using the senses, full characterisation and so on, so in Part 2 we’ll look at some more ways that can help writers can stand out among the crowd.
What’s the first thing that grabs your attention when you open a book? It’s the opening chapter – something exciting, gripping or tense. Without that, you wouldn’t probably read on. Writers take advantage of that by being different or quirky with the beginning of their stories. They use clever opening lines that really do make us pay attention. That can be anything – a posed question, a snippet of description, a statement or even dialogue.  How it’s presented to us makes all the difference.
Of course, we can’t leave out some of the vital ingredients in any story – conflict and action. Every story needs a certain amount of these, but it also needs emotion. It’s a sentiment that grounds us, so without emotion, how do you really tell a story and connect with the reader? Emotional connections through actions, and given rise through conflict, make your story unique. These three elements are so dynamic. Without them, your story won’t stand out.  
There are some elements that writers use that others don’t. How many times have you read a book and noticed subtle symbolism? The use of symbols, or sometimes motifs, all provide juicy morsels for the reader – they love to spot these things. Novels that don’t contain any of these extra layers tend to be a bit bland. But if you want your novel to stand out, give the reader more than just a bland story. Give them symbolism or motifs placed throughout the story. Clever writers give the readers reason to find something different on a second or even third reading. That makes a story stand out.
Foreshadowing is another way to add subtle hidden depths to your story.  Readers love hidden clues about what might happen further in the story, they love to uncover those hints. The more layers the reader uncovers, the more things they reveal. And that’s what can make a story unique.
A good story always knows what’s at stake.  Obstacles that stand in the way of the main character and his or her goal and situations that seem almost impossible are ways to make a story stand out.  If you show a greater understanding of what the story means for the main character and can show that importance translated to the reader, then the strength of the story will stand out.
Of course, every novel needs to be well-structured and well written for it to be noticed. Having all these literary devices and elements at your fingertips is all well and good, but they’re of little use unless what you write is actually well written. How you write is just as important as what you write.
Never lose sight of all these elements and you won’t go far wrong in your writing.
Next week: How to create drama in your writing

Sunday, 2 July 2017

How to Make Your Writing Stand Out – Part 1


It’s an age old question for writers. What makes one book stand out from another? What makes one so amazing and others less so? It’s especially important if you choose the traditional publishing route, and you need to impress agents.
From the outset, your writing needs to grab your reader’s attention and maintain that attention all through the story. It needs to continually captivate them, so much so that they’ll want to come back for more. To do that, your writing needs to stand out.
But how do you really make it stand out?
What makes a book a bestseller? A combination of things, since not all bestselling books would win a literary prize, but what makes them stand out is a mixture of elements that appeals to the reader, elements that make stories they enjoy, stories they will want to read.
To begin with, you need to find your voice, one that is strong and different. Voice is the way an author writes, coupled with a style that’s different. This is why some authors stand out more than others. How they tell their stories, in the style that they do, makes them instantly attractive to readers.
Make the story unique. That may sound strange, since all stories are unique, but what we mean by unique is that it’s a story that hasn’t been told before. Many stories share the same ideas or plots, but it’s the way they’re told that makes them different. Some writers present their stories as a diary, while others deliberately choose to mix POVs. Others skilfully use flashbacks. And some writers are clever enough to write their stories backwards – they start at the end and work their way through the events that led to that ending.
Sometimes it’s in the approach or the structure of a story that makes it unique.
Something else that makes a work of fiction stand out is description. Writers approach this individually – some use very visual or colourful descriptions, while others are more gritty and raw. Descriptions are vital for captivating the reader, so whether you’re eloquent, even flowery, or very visceral, always use description to masterful effect.
Use all the senses, use colour, use layers - don’t be afraid to be individual with the way to describe a scene. The imagery you create is what the reader will remember about your book; something they will remember. This is why we show rather than tell. Would a book be so memorable if all it did was tell and not show?
Attention to detail may not seem very important, but it is if you want that description to feel real for your reader. What goes on in the background of a scene is just as important as what goes on in the foreground. Think of a photograph in 360o. That’s what the reader wants – they want the full picture of what’s happening. Attention to detail makes your writing stand out.
Some of the stories we remember most are those with characters we love, or love to hate. What makes those stories stand out so well are the characters, the kind we can care about and sympathise with, the kind we want to win the day, and the kind we want to see get their just desserts at the end.
Multidimensional characters that can leap from the pages really can make your work stand out, because they make the story so real and so memorable. It doesn’t matter if they’re ordinary people thrown into extraordinary situations, or whether they’re angelic or evil, make them unforgettable.
Notwithstanding great characters, a story that stands out among others is one that contains a well thought out plot. A tight plot is the skeleton around which your story hangs and without one, the story fails.
In Part 2 we’ll look at other ways you can make your writing stand out.

Next week: How to Make Your Work Stand Out – Part 2